Thursday, September 17, 2009

Bjarke Ingels: 3 Warp-Speed Architecture Tales @ TED

Danish architect Bjarke Ingels rockets through photo/video-mingled stories of his eco-flashy designs. His buildings not only look like nature -- they act like nature: blocking the wind, collecting solar energy -- and creating stunning views.

Wednesday, September 9, 2009

Wired's Creative Director Scott Dadich on Design

Video Summary

Scott Dadich talks about designing Wired Magazine, developing a creative culture in magazine design, with three guiding ideas; that details matter, to design by evolution rather than revolution, and that constraint is freedom.

See the Full Lecture Below


Monday, September 7, 2009

Universcale by Nikon

We are able to view all entities, from the microworld to the universe, from a single perspective. By setting them up against a scale, we are able to compare and understand things which cannot be physically compared.

Today, using the electron microscope and astronomical telescope, we can see the objects which we have not been aware of its existence before. Are you able to fathom, or even roughly grasp, these sizes?

Click here to see our Universcale and experience the sizes of various objects.

Kazakhstan’s new National Library in Astana by BIG

Invited as one of five pre-selected architect led teams, BIG was awarded first prize in an open international design competition which included 19 entrants among others Lord Norman Foster and Zaha Hadid.

The new National Library, named after the first President of the Republic of Kazakhstan, Nursultan Nazarbayev, encompasses an estimated 33.000m2. The winning proposal was chosen by the Prime Minister of Kazakhstan K. Masimov together with Astana’s akim I.Tasmagambetov and a council of architects. The design was hailed as being both modern and rational and anchored in a classical vocabulary of traditional libraries. The circular organisation of the archive at its inner core combines the clarity of a linear organisation with the convenience of an infinite loop.

The design of the National Library combines four universal archetypes across space and time into a new national symbol: the circle, the rotunda, the arch and the yurt are merged into the form of a Moebius strip. The clarity of the circle, the courtyard of the rotunda, the gateway of the arch and the soft silhouette of the yurt are combined to create a new national monument appearing local and universal, contemporary and timeless, unique and archetypal at the same time, Bjarke Ingels, Founding Partner on the Astana National Library 2009

Nation Building Being one of the future cornerstones of Kazakh nation building, and a leading institution representing the Kazakh national identity, designing the library went beyond a mere architectural challenge. The new National Library in Astana, Kazakhstan’s new capital since 1997, shall not only accumulate history but also provide a foundation for new futures for the nation and its new capital. It will serve as an intellectual, multifunctional and cultural center, with a primary goal of reflecting the establishment and development of a sovereign Kazakhstan, its political history, and the Head of the State’s activities and role in the development of the country.

The National Library will be the place where the citizens of Astana, the people of Kazakhstan as well as international visitors can come to explore the country’s history, its diverse cultures, its new capital and its first president. The Library will accommodate and communicate with all segments of the population: civil servants, politicians, researchers, students, museum historians and staff. The Library is conceived as a symbiosis of urbanity and nature. Like Astana, which is located in the heart of the Kazakh mainland, it will be integrated into the heart of a re-created Kazakh landscape. The park around the library is designed like a living library of trees, plants, minerals and rocks allowing visitors to experience a cross section of Kazakhstan’s natural landscape, and personally experience the capital’s transition across the country from Almaty to Astana.

What is a library but an efficient archive of books… and a path for the public to reach them, Thomas Christoffersen, the Project Leader on the National Library

In the library they will be able to study the history of the Kazakh culture and language present in the massive collection of books, magazines, film and other media. The archive is organized as a circular loop of knowledge, surrounded by light and air on both sides. On the periphery a 360 degree panorama of Astana – at the heart of the building a contemplative courtyard domed by the heavenly light blue of the celestial vault. The simplicity and perfection of the infinite circle allows for a crystal clear and intuitive orientation in the vast and growing collection that will populate the shelves of the National Library. The ideal addition to the perfect circle will be a series of public programs that simultaneously wraps the library on the outside as well as the inside, above as well as below. Twisting the public program into a continuous spiraling path tracing the library on all sides, creates an architectural organization that combines the virtues of all 4 complimenting models. Like a Möbius strip, the public programs move seamlessly from the inside to the outside and from ground to the sky providing spectacular views of the surrounding landscape and growing city skyline.

Möbius Strip The 2 interlocking structures: the perfect circle and the public spiral, create a building that transforms from a horizontal organization where library museum and support functions are placed next to each other, to a vertical organization where they are stacked on top of each other through a diagonal organization combining vertical hierarchy, horizontal connectivity and diagonal view lines. By wrapping the transforming composition of spaces with a continuous skin we create a Möbius strip volume where the facades move from inside to outside and back again.

The envelope of The National Library transcends the traditional architectural categories such as wall and roof. Like a yurt the wall becomes the roof, which becomes floor, which becomes the wall again, Thomas Christoffersen, the Project Leader on the National Library

Images and Text Via: europaconcorsi

Sunday, September 6, 2009

Not architecture related… I just wanted to share some Minnesota pride.

Most of us agree that Minnesotans are the most intelligent people in the world, or at least America, and our junior senator can prove it…

Here's proof from the Minnesota State Fair that Senator Al Franken can draw the US map from memory. It's truly amazing.

Via: Core77 & Minnesota Public Radio

Yoshiharu Tsukamoto Interview / Atelier Bow-Wow / Part 1

Interview with Japanese Architect Yoshiharu Tsukamoto [1965-] principal of Atelier Bow-Wow since 1992, along with partner and wife Momoyo Kaijima [1969-]. He graduated from Tokyo Institute of Technology after working several years at Kazunari Sakamoto Architectural Laboratory and has been teaching there since 2000.

Tsukamoto may be the closest figure to american academy in the scene leaded by Toyo Ito -because of his outspoken attitude and theoretical ambition- yet continuing the deleuzian approach inaugurated by Kazuo Shinohara during the Metabolist days. He and Kaijima produced a substantial body of work before presenting themselves to the international scene, with friendly research-based publications like Made in Tokyo [2001] and Pet Architecture Guidebook [2001]. So far, they ‘ve been living out of the expenses of those old days and have been trying to reinvent themselves with books/exhibitons like Graphic Anatomy [2007] or lately with Void Metabolism [presented in 2008 as a proposal for The Great Pyramid competition called by Rem Koolhaas].

In this first chapter, Tsukamoto speaks about his long-standing relationship with his alma mater, Tokyo Tech -the years when Shinohara was still around, Sakamoto and how he end up collaborating with Ito and Sejima. Afterwards he explans how this whole scene of Tokyo architects is very close -in professional terms but also in personal ones- and also how his work differs from Tezuka Architects‘ also delightful approach.

All material was produced by 0300TV

Recorded Jun 2008
Interview by Diego Grass P.
Transcripted by Stephanie Fell C.
Edited by Macarena Guajardo M.
Music by Matías Aguayo
Posted by Diego Grass P.


Dan Pink on the surprising science of motivation @ TED

If you are at all involved in any of the creative fields you need to watch this lecture...

Career analyst Dan Pink examines the puzzle of motivation, starting with a fact that social scientists know but most managers don't: Traditional rewards aren't always as effective as we think. Listen for illuminating stories -- and maybe, a way forward.